There are a number of parts of the harmonium, here are some of the main ones:
Portable harmonium |
Body - The body is the box that houses the
various parts of the harmonium. There are two basic styles. One style
is simply a box with everything in a fixed position (see above
illustration). Another style collapses down into a suitcase style of
enclosure. There are several collapsible styles; one is shown in the
right hand illustration.
Bellows - The bellows are the pumps which
force the air through the instrument. There are really two sets of
bellows, one internal and one external. The external bellows are pumped
by hand; these are familiar to the average player. The external
bellows then forces the air into the internal bellows. The internal
bellows act as a reservoir for the air. These bellows lay deep inside
the instrument and are visible only by disassembling the instrument.
The internal bellows push against a spring; it is this spring which
forces the air over the reeds.
Keys - The keys, known in India as "chabi",
are the small wooden controls that the performer fingers to play the
music. There are black keys and white keys. Although the keyboard is
reminiscent of the keyboards found on pianos and other Western
instruments, the international standard for pitch (i.e., A=440) has not
been adopted.
Cover - The cover is a small piece of wood,
sometimes with cloth or glass, which covers the workings of the
harmonium. It serves two functions. The most important is to protect
the workings against damage. It also changes the sound by muting the
higher frequencies while allowing the lower frequencies to pass.
Sometimes the cover has a sliding panel which makes this muting action
adjustable.
Stops (main) - The main stops are a series of
valves which control the way that air flows in the instrument. The
main stops control the air flowing into the various reed chambers.
There are usually a minimum of one stop per reed chamber; however it is
not unusual to find more than one per chamber. Although these extra
stops may control special functions, such as tremolo, it is not unusual
to find a redundant stops with no special function. This reflects the
tendency of Indian musicians to simply open up all the stops, regardless
of the function.
Stops (drone) - The drone strops are the most
distinguishing feature of Indian harmoniums. These stops control the
flow of air over un-keyed reeds. They simply drone their particular
pitch. There may be any number of drones set to any pitch; however they
tend toward, A sharp, C sharp, D sharp, F sharp, and G sharp.
Handles - The handles allow for easy
transport of the harmonium. In a box type, there are two handles on the
sides. In a suitcase style, there is only a single handle.
Reeds (not shown) - The reeds a series of
brass reeds set into a heavier brass base. Each base is roughly 1/4
inch by 2 inches. There must be a minimum of one reed per key while two
or three are the most common. These small brass reeds vibrate whenever
air passes over them.
Coupler (not shown) - A coupler is a
mechanical arrangement whereby another key is played along with the one
being fingered. Normally it is the key located an octave below the
selected key. This arrangement produces a much richer sound than an
uncoupled keyboard. This coupling may be enabled or defeated by the
user.
Scale Changer (not shown) - Scale changer is
an elaborate mechanical arrangement whereby the entire keyboard may be
shifted up or down. This allows a musician to transpose the performance
into any key without having to learn new fingerings. WARNING - Do not buy a scale changing harmonium. The failure rate is unacceptable!
Reed Board (not shown) - The reed board is a
flat piece of wood with a series of long holes cut in them. There are a
series of brass reeds covering these holes. These reeds are arranged
in banks. If there are two banks of reeds, it is said to be a
double-reed harmonium. If there are three banks of reeds, it is said to
be a triple-reed harmonium. The triple-reed harmonium is generally
considered to be superior to the double-reed variety. Sometimes this
board is not flat, but instead has the reeds set into perpendicular
baffles. This style is said to produce a better sound.
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